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Category: Comics
Trinity of Sin: Pandora #1 is My Pick of the Week!
It was a hard decision to make this week, but I have to make my Pick of the Week Trinity of Sin: Pandora #1. It was a hard decision because there are some really good issues this week. If you are planning on following the Trinity War, though, this is an essential issue as it preludes the Trinity War – which preludes Villain Month and Forever Evil. As usual, I am going to do everything I can to stay away from giving you spoilers.
History
Trinity of Sin: Pandora #1 does a strong job of explaining the character’s backstory and explain her importance in the “history” of the DC Universe. I really like the way we see the progression of the character through the years in each panel. You will understand this statement more when you read the issue.
Trinity of Sin: Pandora #1 and Mythology
The backstory of Pandora, as presented in Trinity of Sin: Pandora #1 in the issue comes pretty close to matching the mythological story of the character. She is the one who made the mistake which unleashed the Seven Deadly Sin on humanity. Since she released the sins, and thus destroyed humanity, only she can make the world right again.
The Precursor to Trinity War, Villain Month, and Forever Evil
Since Pandora could be considered as the root of all evil, it would be her fault that villains roam the Earth. Her struggle will lead to the Trinity War, Villain Month, and Forever Evil. In future years, Trinity of Sin: Pandora #1 may be looked upon as a key issue which “started it all.” Of course, only time will tell that for sure.
One Issue with the Issue
On the fifth story page, we see a frame on the bottom right showing Pandora kneeling down and screaming as she realizes what she has done. Her right foot is exposed in the frame. The problem is, her foot is backwards. If you are kneeling, your big toe is on the inside close to your body. Her toes, and the arch of her foot are inversed. Now I understand that mistakes are made and make it past editing. In fact, I know that even if I read an article five times, it might still make it out with an error. It just surprised me that this mistake made it past so many people (penciler, inker, colorist, and editorial staff). Either way, pick up the issue today.
Comic Book Art Portfolio Submission Tips (Ongoing)
How to submit a comic book art portfolio for review? This is a question which all aspiring artists should consider during their career. While not an artist myself, I have seen many would-be comic book artists botch their reviews by submitting their comic book art portfolios incorrectly. While these tips will not improve your art, they will improve your chances of being reviewed.
Comic Book Art Portfolio: Know When to Submit
Some comic book companies will set up booths for comic book art portfolio reviews at conventions. You are free to bring in your work to be critiqued at these events. I have seen lines before at these types of booths, so be patient.
If you see a comic book creator or someone from a comic book publishing company, don’t simply push your portfolio in their face. I have been to dinner with comic book creators before and seen someone pull a portfolio out unannounced as creators are trying to enjoy a meal. Creators and executives are not on call 24 hours a day to review your work. Remember that.
Comic Book Art Portfolio: Organize
A few years ago, I overheard Marvel Editor Lauren Sankovitch speaking to an aspiring artist about submitting a portfolio. One of the key tips she made was to make sure the comic book art portfolio was organized. She stated that pages should have some type of order, and be submitted in a binder or in a portfolio package. Simply a stack of papers with drawings or doodles on them would not impress anyone.
Comic Book Art Portfolio: Diversify
I followed an aspiring artist around at C2E2 this year as he had comic book creators and publishers review his work. I noticed his portfolio was filled with only pictures of Batman in action. Many of the reviewers pointed this out and wanted to see any work he had with him that did not simply focus on The Dark Knight. He stated that he only wanted to draw Batman. He was told that if he wanted to draw Batman, he would probably have to start on lower titles and work his way up. He needed to prove he could draw other characters first.
Comic Book Art Portfolio: LISTEN!!!
I have heard aspiring artists try to argue with, or correct, reviewers of their work. Talk about an automatic turn off. Reviewers will typically want you to succeed. Make sure you listen to them and all they have to say. Don’t try to argue with them. Remember, they have already made it and can help you do the same.
If you have a comic book art portfolio tip you think should be added to this like, contact me at Larry@WonderWorldComics.com
Call to Action: Gerry Conway’s Comics Equity Project
Yesterday, a new blog appeared called the Comics Equity Project spearheaded by legendary comics creator Gerry Conway. The goal of the blog is to request that fans attempt to contact creators when characters the creators brought to life are used in DC Comics projects.
Precursor to the Comics Equity Project
Back in the 1970s, DC Comics went down a revolutionary path by stating that creators of comic book characters could share in a piece of the pie. A small portion of money made by characters would be given to the creators.
Why is the Comics Equity Project Needed?
DC Comics does not spend time contacting comic book creators about how their characters are being used. Hence, most creators don’t know when their characters are being used. In Gerry Conway’s case, some of the characters he created were being used on the TV series, Arrow on The CW. He would not have known about the characters being used if fans had not alerted him.
What the Creators Get
When a creator contacts DC Comics to prove one of his or her characters is being used, DC Comics will give the creator a part of the money coming in from the character as long as the creator holds that type of contract with the company. This money is not retroactive, so the creator is only owed the money made after he or she contacts DC Comics.
The Comics Equity Project Remembers Creators
Even though we hold many comic book creators in high regard – as far as even considering many as heroes – most do not make money hand-over-fist. The Comics Equity Project gives us (the fans) the opportunity to show our support of comic book creators and to remind them that we are thankful for the characters and stories they created over the years. The Comics Equity Project is our call to action to support those which have given us countless hours of entertainment over the years.
To learn more about the Comics Equity Project, or to contact creators whose characters are being used at DC Comics, please follow this link.
Observations on Forever Evil and Villain Month
Now that all of the secrets are out in the open, I guess it is time for me to make my observations on Villain Month and Forever Evil. This major attack from DC Comics during the September War is sure to shake everything up. There are some aspects of Forever Evil and Villain MOnth which surprise me, some which upset me, and some which just make me shake my head.
The Forever Evil Promotional Picture
Where in the heck is Joker? He should be right next to Lex Luthor leading the masses. Also, note that both Harley Quinn and Deadshot, of the Suicide Squad, are both in the picture along with Catwoman – all of which are supposed to be superheroes now.
The Reasoning Behind the Higher Price of Villain Month Comics
The special 3D covers are more expensive to create than regular covers, but DC Comics did not need to put those 3D covers on in the first place. I am not going out on a limb by saying that most fans would have picked up a larger number of DC Comics in September without them. On top of that, DC Comics could not figure out a less-expensive way to create the tens of thousands of covers they are putting on the comics to save the reader money?
The Lower Criminals
I do like the idea of giving some extra face time to some of the lower criminals in the DC Universe during Villain Month. Joker’s Daughter, The Ventriloquist (he will never be a A-lister, or even a B-lister, no matter what DC tells me), Parasite, and Dial E are all welcome characters. It is good that DC Comics is not just touching upon the main evil characters from each title.
The Lost Titles
I wish DC Comics would have included some of the other titles in some major way during Villain Month. Constantine, the Phantom Stranger, Earth’s Finest, and the Suicide Squad are just a few of the titles which missed this bus. How many fans will feel disenfranchised during September?
DC ComicsTrinity War Jitters and Concerns
The beginning of the Trinity War is upon DC Comics, and the publisher has promised us a huge crossover which will change many of the aspects of the DC Universe. In the past, I have discussed the concern about how the Trinity War might relaunch the old universe, but with the official announcement of Villain Month and Forever Evil, those concerns have been laid to rest. There are a few concerns about the Trinity War, though, which have come to the surface in recent weeks which should be addressed.
Actual Start Date
According to word I have received from our Detroit area comic book store, there are questions about the official start date of the Trinity War. Many readers, myself included, purchases issues of Justice League, Justice League of America, and Justice League Dark in the past week expecting at least a precursor to the Trinity War. Some readers may have actually believed the crossover was beginning this month. Instead, the crossover event begins in July.
Possible Cause
If you remember back a few month to when Diamond Previews previewed Trinity of Sin: Pandora, a June release was given. Instead, Pandora will not hit store shelves until July. Also, the free publicity cards which were sent to comic book stores to pass out showed a June release date for Pandora. Poor communication and/or postponing dates should always cause for concern.
Lack of Support Sales
I do like the statement that DC Comics has made about retailers being allowed to return unsold copies of Justice League Dark as long as the orders match the numbers purchased for Justice League and/or Justice League of America. On the negative side, the Trinity War also crosses into Trinity of Sin: Pandora, Trinity of Sin: Phantom Stranger, and Constantine. Support should be given for these other titles as well since the casual reader who is trying to continue the story from Justice League or Justice League of America might not consider picking up these lower titles.
Will People Really Care About the Trinity War?
We already know about one of the major outcomes of the Trinity War. It will launch Villain Month and Forever Evil. Since we know A (where we are) and C (where we are going), will as many people be concerned about B (how we get from A to C)?
The Overall Cost
Many of us are going to be spending more money than usual during Villain Month. All of the DC Comics titles are going to be $3.99, and all of the major titles are going to have multiple .1 issues during the month. Readers might decide to pass up this crossover and save their money. Personally, if it were not for the fact that this crossover involves DC’s Dark Universe, I would probably not pick it up. Since it involves so many of the titles I am already getting, I might as well pick up the rest. I can see how the average reader might pass it by.
Marvel Mutants “M” Word: More Reality in Comics?
Kitty Pride made comments in this week’s issue of All-New Mutants which would point to a deeper statement which would lead us to believe that Marvel mutants are no longer going to be referred to as mutants. Using the term “The ‘M’ word,” is sure to be controversial with many readers, but I think it is time for Marvel to distance itself from the term.
Marvel Mutants NOW
Remember, we are in a period right now called Marvel NOW in which our favorite characters are thrust into a Brave New World which is more reflective of the real world than ever before. Marvel mutants have been thrust into this modern world in more ways than one with the original X-Men living and breathing in the modern day. Figuring out different terminology for the Marvel mutants right now makes since it melds with the continuing trend towards being more politically correct.
The Goal of Political Correctness
The goal of political correctness is to eliminate words which exclude people from the rest of society and to eliminate words which might cause a feeling of discomfort of disenfranchisement. I am not going to list all of the terms here as you should know most of them on your own, but remember that the end goal is to make everyone feel like they are on equal footing regardless of race, sex, religion, sexual orientation, disability, or origin. If Marvel is going to continue to try to make the superhero world as close to the real world, why wouldn’t it make sense to extend political correctness to the Marvel mutants?
No Matter What Side of the Aisle You are On
In the end, it really does not matter which side of the political correctness aisle you sit on when dealing with Marvel mutants and “The ‘M’ word.” You might be upset that Marvel is trying to make some type of statement, or you might be upset that Marvel is trying to change a term which we have been using for decades. In the end, you should be happy that Marvel is dragging an issue out of the real world and exploring the implication in the Marvel Universe. You should celebrate the discussion Marvel is beginning and look forward to seeing both sides of the debate unfold in future issues. The Marvel Universe grows when it encompasses a little more reality in it.
The Poker-Inspired Superheroes (and Villains)
Marvel and DC Comics have always made it their advocacy to take on several social issues. Many of the superheroes and super-villains we idolize were, at some point, conceptualized according to certain debatable topics, one of which is poker. The card game has even been vital in the character development, and even story progression, of some of our favorite heroes or foes. Poker had also been inculcated in the identity or history of some Marvel and DC Comics characters.
Here are a few characters in the Marvel and DC Comics Multiverses who had poker involved either in their creation or in the development of their stories:
Gambit
If you have been an avid follower of the X-Men series, just the mention of playing cards would already have you thinking of Gambit. With his own deck of playing cards as his main choice of weaponry (aside from a Bo staff), it would be quite illogical not to think of Gambit as a knowledgeable poker player. Gambit’s initial personality also seems to be inspired by how you should approach professional poker players, with reservation and alertness. In a Marvel forum over at ComicVine.com, Gambit was mentioned several times after someone asked who would be Marvel’s best poker player.
Iron Man
Tony Stark, a.k.a. Iron Man, is truly one pompous and extravagant character especially in recent movie adaptations. If ever there will be a character who you should expect to see in the Bellagio Las Vegas for the Partypoker World Poker Tour or in Rio All Suite Hotel and Casino for the World Series of Poker, it would most probably be Mr.Stark. He has the financial capabilities to be a daring professional card player. Even in the 2008 Iron Man movie, Stark missed an awarding ceremony as he was playing poker over at Ceasar’s Palace.
The Thing
It may not be obvious at first, but the strongest member of the Fantastic Four loves playing poker. Ben Grimm’s gentle giant stereotype is perfect for maintaining a great ruse when playing. In one of the issues of the series Thing v2, Grimm even organized a poker tournament amongst other superheroes of the Marvel Universe in celebration of his Bar Mitzvah. His Bar Mitzvah version is for his 13 years of existence after being transformed into The Thing.
Batman
Just like Iron Man, Bruce Wayne is not someone who turns down a challenge especially when someone questions his (financial?) powers. However, what really includes Batman in this list is his arch-rival, The Joker. It’s his and Joker’s interactions that are very symbolic of how poker rounds operate. It’s always about “who-outsmarts-who.”And as ComicBooked.com opinionates in one of their articles, the Dark Knight has faced so many criminal geniuses and deranged psychopaths that it instilled in him the skill to determine even the most minute of emotions. This skill set also helped him achieve his almost-catatonic expressions, an almost perfect poker face.
On many occasions, comic book artists have something deeper to convey when they embed simple activities like poker into their panels. It can be their way of expressing social awareness or understanding. At times, it can also be representations of bigger issues. Simply put, just keep an open mind when reading comics.
September War: X-Men: Battle of the Atom – WOW!
X-Men: Battle of the Atom has my popping. Marvel Previews gives us a glimpse at Marvel’s offerings during the September War, and I cannot hold my excitement back. Everyone thought DC Comics would rule the September War with Villain Month and Forever Evil, but Marvel might just shake things up enough with X-Men: Battle of the Atom to keep DC Comics out of the pinnacle spots on the Diamond Top 100.
What is X-Men: Battle of the Atom?
Quick synopsis: The X-Men from the future come to the present to send the X-Men from the past back to the past in an attempt to fix history, the present, and the future. Marvel is pushing X-Men: Battle of the Atom as the biggest X-Men crossover of all time.
Ohhhhh
X-Men: Battle of the Atom is going to be a ten-part crossover which will include its own title, All-New X-Men, X-Men, Uncanny X-Men, and Wolverine & The X-Men. I should complement the company for having a major crossover which does not float into dozens of different titles. At this point, it is contained to ten issues, so it is not something which will put too much of a cramp on reader’s pocketbooks.
Ahhhhh
Yes, I was someone who gave the early win in the September War to DC Comics, but the full and official introduction of X-Men: Battle of the Atom splits my decision for the month. At this point, it is way too early to tell who will have the tops spots during the most important month of the year (if you are not sure why it is the most important month of the year for comics, read this). All I know at this point is that I am going to be dropping a lot of money at our Detroit area comic shop in September.
What If A vs. X: Hopefully This Begins a Trend
Next month, we will see the introduction of What If A vs. X. This is an interesting concept which follows a suggestion I have had for years. When major crossovers happen, fans should have the opportunity to know what might have happened if certain events had gone differently. It might even behoove Marvel to take a look at other What If options like What If A vs. X.
Secret Wars
There were a few issues of the initial What If line which centered on the original Secret Wars crossover. My personal favorite involved the changes which took place in the alternate universe where Doctor Doom kept Beyonder’s powers and was able to become an unstoppable menace. The other popular offering explored what might have happened if the heroes became stranded on Battleworld due to a battle between the universal titans which saw Galactus and Beyonder kill each other. Those who believe the idea of having What If A vs. X is original, it has been done before…and should be done more often.
Don’t Get Me Wrong
I don’t believe that every crossover should be given a line like What If A vs. X, but many of the major ones should. Later this year, we will see the dawning of X-Men Battle of the Atom. A What If line off of that product would make sense. I would not suggest a What If line off of the Age of Ultron since the fallout will run itself like a What If line since the space time continuum is borked.
I have always been a fan of the idea of What If lines, and I am looking forward to What If A vs. X. Hopefully, the line is successful enough for Marvel to take a look at it again in the future for other crossovers.
Diamond Previews #298 is My Pick of the Week!
I am veering a little bit with my comic pick of the week this week by naming Diamond Previews as the comic book (as in book about comics) you need to pick up this week. Diamond Previews #298 (and the free issue of Marvel Previews which will come with it) covers September and the comics which will comprise the September War! This is the more important issue of Diamond Previews this year.
Automatic Add-On
It should be understood that Marvel Previews is automatically part of this Pick of the Week article since you get a copy of Marvel Previews free when you purchase Diamond Previews.
The Two Covers
As you probably know, there are two covers for Diamond Previews #298. One highlights The Star Wars #1 which will be the first issue in a miniseries using George Lucus’ original plans for the movie series. The other cover highlights DC Comics Forever Evil and Villain Month.
Why You Should Read Diamond Previews #298?
I have always been a supporter of reading Diamond Previews, but especially this particular issue since it covers the events of the September War.
- From DC Comics, you will see all of the covers for the special .1 issues. You will also get a quick blurb about each issue to help you decide which ones you will be reading in September. The variant covers for Forever Evil have not been finalized as of printing, but at least you can gain an understanding of the universe-changing miniseries.
- Marvel uses its Previews to officially introduce the world to X-Men Battle of the Atom. Three generations of X-Men will battle in an attempt to set the team’s storyline and history straight. It is being labeled as the biggest X-Men crossover of all time. This is a huge hit against DC Comics Villain Month and should excite many of the team’s fans.
- Dark Horse uses Diamond Previews #298 to officially introduce The Star Wars. This series will revolve around ol’ George’s original vision for the movie series. I have a feeling that this comic series is going to have the world talking during the September War.
- IDW Publishing highlights the release of the Powerpuff Girls which it hopes will make an impact on the market like My Little Pony: Friendship is Magic. Danger Girl fans will also be interested to read about Danger Girl: The Chase #1.
- Image Comics uses part of its space to discuss Sex Criminals #1 by Matt Fraction and Chip Zdarsky. Rat Queens #1 is also on its way, but I am going to discuss a little more about that in the upcoming weeks.
- Afterlife with Archie? I have not read an Archie comic in probably 25 years, but I might find that I have to pick up the new “Archie with Zombies” style comic coming our from Archie Comics. Even though the first issue is not coming out until October, Diamond Previews #298 gives a shout to it and an interesting splash.
- Boom! Studios makes sure you know that Sons of Anarchy is being added to its portfolio. Any comic which can draw in fans from outside the comic book community has the support of this website.
- Kings Watch is a crossover using some of the top characters from Dynamite and might bring some more interest to the company’s major titles. The crossover miniseries is discussed in Diamond Previews #298.
- There are other premiere issues coming out from various companies which were not discussed here. There are also offerings from companies which are not mentioned here as well.
The September War is so important to the comic book publishers because they know if they do not do something big, the comic book community will only be talking about two things in October – The Walking Dead and Detroit Fanfare Comic Con!
Boom! Studios Louder with Archaia
Deadline is reporting that Boom! Studios has purchased Archaia. Deadline reports that Boom! Studios might be nipping at the heels of Marvel and DC Comics. This points to one of the problems with getting comic book news from companies which do not specialize in comics. Deadline apparently missed the fact that Image, IDW Publishing, Dark Horse, and Dynamite are all ahead of Boom! Studios. While Archaia is a strong company with good titles, it does not hold at least 1% of the market – which would be enough to move Boom! Studios into the fifth or sixth overall position.
On a varied note, I look forward to seeing what Boom! Studios does with Archaia. At the very least, Boom! Studios makes a statement to the world that it is ready to move up and will spend money to do so.
Which Michael Myers is in Halloween: Nightdance?
Earlier this year, I discussed Halloween: Nightdance and declared it as one of the Gems of the Warehouse. This week, Tyler Mane (who played Michael Myers in Rob Zombie’s Halloween and Halloween II) will be at the store as will Josh Blalock, the publisher of Halloween: Nightdance. Some people asked me recently about Halloween: Nightdance and about which “version” of Michael Myers is uses to tell its horrific story.
See my original review of Halloween: Nightdance by following this link.
The Versions of Michael Myers
Essentially, there are two versions of the character which have played out in movies over the years. There is the one which portrays an insane human and the one which is more of a paranormal and superhuman monster. The first two movies in the original Halloween series used the insane human version of Michael Myers while the later movies made him more of a monster which could withstand being blown up, burning, and being shot in the head. Rob Zombie’s version made him moe human than superhuman.
Halloween: Nightdance and Michael Myers
In my initial review, I spoke about how the story in Halloween: Nightdance harkened back to the original telling of the Michael Myers story. This holds true in that the portrayal of the character is more of an insane human than a superhuman behind a mask. Since the Rob Zombie version of the character uses the same methodology, you could say that the Michael Myers in Halloween: Nightdance uses the same type as the original movies or of the Rob Zombie remakes. While Micheal Myers’ body handles a ton of punishment in Halloween: Nightdance, it does not handle anything which could not be endured by a person under the influence of insanity.
Thoughts on Age of Ultron #10
I am going to assume that you have either read Age of Ultron #10, or have heard all of the spoilers out there. Since it has been 24 hours since the comic has come out, I guess it is time for me to talk about where Marvel can go NOW with the revelation of the space time continuum being borked by the characters in the story.
Interesting Note
We should start out by pointing out how Age of Ultron #10 gives us a moment when we realize that all of the universes in the Marvel Megaverse are crossing. We have Earth 616’s Galactus apparently in the Ultimate Universe, we have Angela zooming around the galaxy, and we have characters having visions of other characters from throughout the megaverse. This grand-scale crossover means almost anything can happen over the next few months.
Another Interesting Note
At least Marvel had the gumption to realize that the story it created in Age of Ultron should have negative ramifications other than simply changing a few characters here and there. Not only will the characters have to deal with all the changes, they are going to have to figure out how to fix the problem so that it does not happen again.
Yet One More Interesting Note on Age of Ultron #10
Can anyone think of a major crossover which potentially dealt with every universe in the Marvel Megaverse at the same time?
Dead No More?
One aspect I would love to see is for characters to reappear who have been presumed dead for a long time. While I am not expecting Uncle Ben (as bringing him back is a sacrilege), there are many other characters who have died over the years who could be brought back. Abomination, Baron Mordo, Baron Zemo, Cheetah, Maggot, Nightcrawler, Professor X, Peter Parker, and Wraith are just a handful of characters I would love to see brought back to life now that time and space are so screwed up after Age of Ultron #10.
The Grand Swap
We have seen Galactus head over to the Ultimate Universe so what is to say that there will not be more swaps in the near future? How about sending Zombie Hulk or Zombie Spider-man into the normal universe? Age of Ultron #10 opens the door for almost any character from another universe to be sent into any other. Marvel can play this one up very will with a swap month which could send the megaverse on its ear.
Send Someone Somewhere?
After Age of Ultron #10, Marvel could take a character with mediocre sales and send them to another time or place. The story could follow the character (or even a small team of characters) as they try to figure out a way home from the strange world they are now part of.
Please Don’t
Please Marvel, don’t simply allow the Scarlet Witch or Doctor Strange to will reality back to normal. This is too easy of a trick that most of us would not be happy seeing. Age of Ultron #10 should be harder to overcome than with a simple wish.
Saga and the Position of Women by Kelly Jackson
The cover of the first issue of Saga says everything you need to know about the position of women in the series. It features Alana standing beside Marko, with their daughter Hazel feeding from her breast. Marko’s arm is around Alana, Alana is staring directly at the reader, and both Marko and Alana have their free hands on weapons. Alana’s gaze out at the reader is a challenge, a direct statement that she is in control. Marko stares off in the distance, not making eye contact with the reader, but showing his support for Alana all the same by keeping an arm gently around her while she gives their child the nourishment she needs to survive.
Disclaimer: This article deals with sensitive adult issues presented in Saga
Then we have Vez, obviously a leader among Marko’s people, who hires a free-lancing mercenary to kill Alana and Marko, but deliver their daughter Hazel safely back to Vez’s location. She wants the infant “alive and unharmed,” though she doesn’t give an explicit reason besides the fact that Hazel is an innocent in the war that’s taking place. (I assume that Vez has serious ulterior motives in having Hazel delivered to her, but I guess we’ll find out more about that in later issues.)
After Vez, we see the planet of Sextillion. Keep an eye out for an article solely about that planet to follow this one.
Shortly before encountering the entirely sexualized, super rape-culture depiction of Sextillion, we meet The Will’s former partner and fellow mercenary, The Stalk. The Stalk is intelligent, ruthless, and very good at her job. After all, she’s known as one of the best freelancers in the galaxy. She’s made herself into a valuable asset to anyone who may need a freelancer, and a very dangerous enemy to anyone who winds up on her bad side.
I love a number of things about Saga, but so far, my favorite theme within it is the theme of strong women. Alana continues to survive, The Stalk is merciless, Vez leads her people. And these women aren’t seen as somehow extraordinary; it’s normal for Alana to be a soldier, for The Stalk to be a freelancer, for Vez to be a leader. There’s nothing at all remarkable about these things in this world, and I like that because it normalizes strength in women without fetishizing it.
Another things I was very happy to see in Saga is women experiencing pleasure without some form of shame attached to it. We see this twice: once when Alana is giving birth and once when Prince Robot IV is having sex with his wife (who remains mysteriously nameless other than IV referring to her as “Princess;” more on that later).
While Alana is giving birth, she mentions that it feels good and wonders if that’s normal. It turns out that orgasming while giving birth is a completely normal response of the female body; while it doesn’t happen to all women, it’s a natural occurrence. And considering the fact that Alana is able to experience pleasure while giving birth to a baby in a dirty machine shop with armies on the other side of the door, props to her. What’s even more refreshing is that Alana tells Marko that she’s feeling pleasure during the birthing experience; she’s not ashamed to admit it, and it’s obvious that Marko’s not going to judge her for saying it, either.
We then have the scene of Prince Robot IV having sex with his wife (I suppose it would save time to simply refer to her as “Princess” until I know her actual name). Princess vocalizes what she wants, shows no shame in doing so, and even suggests getting on top in order to make it easier on IV. Granted, she doesn’t realize he’s having a hard time because of what is very likely combat fatigue, but she’s willing to do what she has to in order to take her pleasure, and she’s not afraid or ashamed to say it out loud.
Being unashamed in regards to pleasure and strength are two suggestions I can definitely get behind. This also portends well for Hazel; with such strong women surrounding her, she’s not doomed to be any sort of wilting flower.
Hey ComiXology – Do You Really Want This Fight? (Updated)
I received a personal email from ComiXology today because obviously the company does not have any clue who its enemies are. I don’t even know how they received my email address because I have never signed up for their service or given anyone there my personal email address. For some reason, ComiXology believes I would want to know that they just expanded their catalogue to include French comics from French publishers. As someone with French roots, this does not surprise me since the French give up fights so easily.
I sent the following email back to ComiXology:
Please refrain from sending me any updates about your product in the future. I am not interested in purchasing digital comics from Comixology or any other digital company. I am also not interested in suggesting my readers purchase a product which could eventually lead to the elimination of print comic books.
I see ComiXology and other digital comics distributors as a hurdle in the comic book industry which must be overcome. Even though you have the support of many comic book publishers, you do not have my support. I hope Marvel, DC Comics, and other publishers wake up to the fact that digital comics will bring down the comic book industry through the elimination of the mom and pop comic shops across the country (and the world). It is on the backs of those owners that all companies have sold their products and gained the followings they have today. The progression of digital comics through ComiXology and similar companies is not a stride into the future but a stab in the collective back of the supply chain which has made said companies billions.
Please take me off any email listing you have as any further mass emailings from your company will result in negative feedback on my part. Know that I will continue my fight against ComiXology and any other digital distributorship who would try to take money out of the pockets of those who helped to make comics what they are today. I will also continue my plight to force the publishers to wake up before they have collapsed the industry for a third time.
Larry Poupard
Update
After my initial email back to ComiXology, I received a reply that I would be taken off the mailing list. In the same email, though, the high-ranking representative of ComiXology attempted to win me over the to digital medium. He tried to pint out how print comics are up to their best numbers in a long time and that this is the first time we have seen a transition to digital in which the traditional medium was up. This was my second reply:
As the Web Content Director for WonderWorldComics.com, as someone who followed the comic book industry for multiple years for Yahoo!, and as someone who has collected comics for over three decades – I know what the statistics are and know that the statistics would me better if digital comics did not exist. The comic book medium is different from the movie and book industry in digital format because more people collect comics than books or movies.
Marvel, DC, Image, IDW, and many of the smaller companies have had a streak of good products in the last few years which have spiked with collectors. They are demanding more from their writers, artists, and editors than ever before and the success has spread from top-tier titles to middle and lower tiers as well. The economy is up, so people are able to purchase more comics than they were a few years ago. The companies have been able to tap into the collector’s market but have been kept in check by retailers who worry about the overproduction of variant covers and a repeat of the market crash in the late 1990s. There are many factors that go into why print comics are up, and there is one reason why print comics are not up even more.
What is interesting is that it is not illegal downloaders who will but the biggest dent in the digital comics market. It is people like me who are willing to point out the reason for digital comics. It is (the creation and sale of digital comics) not to move into the future. It is people like me who point out how Marvel and DC would love to have digital comics take off so that they could eliminate Diamond and all of those pesky comic book stores. Marvel and DC could increase their bottom lines without having to pay out for a supply chain.
Sure, the comic book companies are charging less for most digital comics than for print comics, but how long is that going to last? Do you remember when you could buy the latest album on iTunes for $4.99 as an incentive to go digital? Now, it would be a miracle to find a five-year-old album for under $7. If digital comics ever eliminate the supply chain, fans should expect to pay out the ears for their digital comics.
Be leery, though, of the hands that feed you today. What happens when Marvel and DC Comics come to the realization that they can sell digital comics on their own? Do you think they will think twice about stabbing ComiXology in the back when they are trying to stab companies they have partnered with for decades?
Age of Ultron #10 is My Pick of the Week!
Age of Ultron #10 comes out today and it easily became my Pick of the Week. Simply put, you need to read this issue. Even if you have not read Age of Ultron up to this point, there are a series of events in Age of Ultron #10 which will have you amazed. If you are thinking that the introduction of Angela is the watershed moment in the issue, you are only partially correct.
Spoilers for Age of Ultron #10?
As per usual, I will do everything I can to avoid giving spoilers in this article. If you are looking for spoilers, you have come to the wrong website. Age of Ultron #10 is so strong that a spoiler will ruin the moments of shock and awe you will experience while reading the issue. I would not be able to sleep at night if I robbed you of that experience.
Talk About Universe-Changing Events?
Marvel has spoken about universe-changing events for many years now. Every year, they come out with a crossover event or two which they say will change everything we think about the Marvel Universe and how their new event will change everything. Compared to the universe-changing moments in Age of Ultron #10, all of Marvel’s former crossover events are like comparing a Little League game to the World Series. This is Marvel’s New 52 event!
Don’t Get Me Wrong
Age of Ultron #10 does not reboot the Marvel Universe like the New 52 did for DC Comics. Instead, we have a new evolution like Marvel has been working on since Marvel NOW was launched. Age of Ultron #10 has moments we are going to be talking about for years and debating about as well. Marvel has just opened up Pandora’s Box and every “What If?” scenario we have thought about could become a reality. Hopefully, Marvel can turn this universe-changing event into something epic.
The X-Files: Season 10 – I’m Popping Over Here!
I am looking forward to the launch of The X-Files: Season 10 which will hit shelves in a matter of days. As a die-hard fan of the show, I am looking forward to seeing what IDW Publishing does with the property and what direction the project goes in.
Hasn’t This Been Done Before?
Yes, there have been X-Files comics before, but there is a unique aspect of The X-Files: Season 10 which should be touched upon. In the past, comics based on The X-Files have either covered the “monster-of-the-week” style storylines or have hinted to the greater government conspiracies. They were not part of the true canon of the show, so creators of the comics had to stay clear of adding anything to the government conspiracy storylines.
IDW Publishing’s Difference with The X-Files: Season 10
Since The X-Files: Season 10 is not competing with a show on TV, or an impeding movie, canon can be explored, altered, revised, or added. Note, issue #3 has an appearance by the Cigarette Smoking Man. Isn’t he dead? If IDW Publishing is going to bring back CSM, what else might they have in store as the issues progress?
Chris Carter’s Involvement
In IDW Publishing’s initial release about The X-Files: Season 10, note how it states that, “The entire project will be executive produced by THE X-FILES creator Chris Carter, who is returning in an active role to help steer his characters back to the forefront of popular culture once again.” This means that many of the ideas will be coming from the mind of the creator of the show so fans can accept the changes as canon. This is key for the story as die-hard fans like myself will not want to miss the comic which will progress the story in an official capacity.
Even though the release of The X-Files: Season 10 is still days away, I have already added it to my pull list. Have you?
Differences Between Marvel and DC Comics: Locations
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Batman #21 Zero Year is My Pick of the Week
Batman #21 Zero Year is such a strong offering that it had to be my Pick of the Week. Any casual fan of Batman in the New 52 or of classic Batman should pick this title up.
The Psychology of Bruce Wayne/Batman
Batman #21 gives a look into the mind of Bruce Wayne in the days between when he decided to fight crime and when he actually becomes Batman in the New 52 continuity. While the story does not have much action, it sets the stage as to why Bruce Wayne has decided to prevent crime in Gotham City and why he hunts down those who commit crimes. This is an important story in the Batman lineage from any continuity.
The Psychology of Alfred
Without telling too much, if you read the story closely, you will note that Batman #21 Zero Year is also an exploration into the story of Alfred. While it might not tell his background, the astute reader will pick up signs about the relationship between the most famous butler in comics and the man he serves. Alfred is often taken for granted and the character was given moments to shine with great dialogue.
A Villain Comes to Light
A particular classic villain is shown in the last few pages of Batman #21 Zero Year which has not been explored very much in the New 52. I will not say who it is, but it will be interesting to see how his near future plays out. We know that he is [Deleted Spolier] during [Deleted Spoiler], so I am looking forward to see how the character got to that point.
Of course, this month is dedicated to Superman. That does not mean that the creators behind Batman should take a step back and coast through the month. Batman #21 Zero Year proves they did not rest on their laurels for another time to grab the spotlight.
I Really Like Fillmore Press, and I Think that Might Mean I’m Going to Hell
One of my friends suggested I read Bedlam. Thanks a lot, Todd; now I have just one more comic series that I have to read every single issue of. I have actual work to do, you know. All these comics are too good and they’re preventing me from being productive!
At least, that’s my excuse. As it stands, I read volume one of Bedlam today and discovered that I really like Fillmore Press, and I think that might mean I’m going to hell. Seriously.
Fillmore’s evil, right? He massacres women and children with no remorse and he doesn’t appear to have any ability to discern between right and wrong. That makes him a sociopath at the very least. He’s not a very likable character.
Then why do I like him so much? Why does he make so much sense to me? Let me back up here and assure you that I have no intention of committing mass murder, and the very thought appalls me. I’m not queasy or anything, but I have nightmares just like anyone else, and every time I hear of another mass shooting/killing spree/bombing/terrorist attack, I have a hard time sleeping. Because people, you know, they’re not supposed to do those things.
But as Fillmore is being questioned by the police after his massacre as Madder Red, he argues that humanity is the monster, not Fillmore himself. That we’re all media-hungry, selfish, arrogant capitalists who do these things to ourselves. We first create villains, then we punish them, because that’s what makes us feel better about the world we’ve created for ourselves. Competition is what we live for, and when someone or something undermines our authority (whether that authority is moral, legal, or philosophical), we get angry and we take them down.
After 10 years of very mysterious “therapy,” Fillmore is deemed corrected enough to return to mainstream society slowly and ends up helping the police solve a number of murders and find the serial killer responsible. Through it all, Fillmore knows there’s something wrong with him, but he’s absolutely brilliant and his experience of being a serial killer helps him to get into the minds of other serial killers. He decides to do good.
It’s rather fitting that the name of the town is Bedlam and I’m assuming that it has that name for a very good reason. Maybe the entire story takes place solely in Fillmore’s mind. Or maybe I’m just getting super-meta.
Regardless. Nick Spencer posits the very question of the Problem of Evil with Bedlam, and the story goes so far as to include a priest, a man of God, in the storyline as the puppeteer behind the strings. I’m shocked and excited to find something so deeply philosophical and truly unsettling in a comic book. I’ve read good vs. evil and hero vs. villain and so on and so forth. But Bedlam raises all sorts of uncomfortable questions, the most important one being the tagline of the entire series:
Is evil just something you are or something you do?
September War: IDW Publishing Might Be Surprise Winner
We are all talking about the moves DC Comics should make in the September War with Villain Month and Forever Evil, but what about IDW Publishing? The smaller company has a good chance of picking up some extra percentage points and moving into the third-place spot as Image and Marvel both direct their eyes towards DC Comics. It could be an interesting month indeed.
IDW Publishing in August
August is going to be a big month for IDW Publishing. The month will see the release of T.H.U.N.D.E.R. Agents #1, which Diamond Previews rated as a GEM of the Month. We will also be able to get our hands on Locke & Key: Alpha #1, the second and final issue will follow in September. We will see the suspicious return of the Cigarette Smoking Man in The X-Files: Season 10 #3, the introduction of KISS Kids #1, and another upswing for titles such as Teenage Mutant Ninja Turtles, My Little Pony: Friendship is Magic, G.I. Joe, and Transformers.
The Holdover
The strong month IDW Publishing has for August should hold into September as new readers become invigorated by the company they just “discovered” and longer-term readers become invigorated by the month IDW Publishing just had.
The BIG Release in September
If the holdover from August was not enough, the release of The Powerpuff Girls in September is sure to pop IDW Publishing. The cartoon it is based on is not only something fresh for young readers, it also has a strong cult following among readers of older generations who want to introduce their children to a franchise they grew up with. The greatest possible upset for the month of September would be if The Powerpuff Girls did not debut in the Top 100 in the Diamond Industry Statistics.
As of this writing, the release of the Diamond Industry Statistics for May is still a few days off. The Market Unit Share for April showed Marvel with 37.95%, DC Comics with 25.98%, Image Comics with 9.04%, and IDW Publishing with 7.54%. While I do not see IDW taking the lead in September, I would not be surprised at all by it passing Image for the #3 spot in Unit Share. Once the numbers come out in October, I will be very surprised if I am wrong.
Can Marvel Bounce Back After September?
On Monday, DC Comics made their lead announcements about DC Comics Villain Month and Forever Evil, but where does that leave Marvel? September will be a huge month for the company holding second place in market share and DC will probably take over the standings that month. What will Marvel do to battle back?
Could DC Comics Lead for One Month?
There is a good chance that DC Comics will only lead during the month of September and Marvel will simply have to wait until October to take back over. I see this as an unlikely chance, though.
Villain Month Could Be Biggest Month Since the New 52
I see Villain Month being the biggest month for DC Comics since the launch of the New 52. I know that I am going to pick up some extra titles since there are villains I like in comics I don’t traditionally read. Also, since Batman, Batman Detective Comics, and Batman & Robin are on my pull list, I am going to have to pick up extra copies of each since those comics will have multiple .1 issues in September. I have recently been getting into Flash and Justice League of America, so I will have to pick up their multiple issues as well. I am sure many other people will have the same problem. My readership of the comics I regularly follow will expand, and my readership of a few other titles I pick up for the villains may expand as well.
Forever Evil
With Forever Evil following Villain Month, DC Comics has a good chance of holding onto their lead as people try to see what the first major crossover event of the New 52 can offer. I see DC Comics continuing to hold higher market share into October and possibly November.
Is Infinity Enough?
Marvel’s Infinity is launching soon, but will that be enough to pull share from DC Comics and the independents? Realize, major crossovers are the status quo for Marvel and we have seen them pull off major crossovers year-in and year-out. Are people going to become tired of what Marvel gives us every year? Infinity needs to be one of the strongest crossovers in the last five years if Marvel wants a chance of staying on top this year.
Worst Case Scenario
Villain Month and Forever Evil have been rumored about for months. There is a strong chance Marvel has had more than enough time to plan. What makes me nervous is that Marvel is going to try to pull out extra stops in the fourth quarter. Could they make massive changes just to try to stay on top? Could they kill off characters out of desperation to hold the coverage on comic book sites like this during October? Only time will tell.
My Opinions on Villain Month and Forever Evil
So, the announcements were made today about the DC Comics Villain Month and the Forever Evil crossover event. This might come as a surprise, but I have some definite opinions on the announcements made.
Note
I am writing this under the assumption that you have read the news statements so far. If you have not, you can read the news about DC Comics Villain Month by following this link, and read the statements about the Forever Evil crossover event by following this link.
My Thoughts on DC Comics Villain Month as a Whole
Personally, I love the idea of DC Comics Villain Month. The company has done a very good job over the years of making memorable characters we shudder over. They have also done a very good job in modernizing many of these characters. Give us the opportunity to look into the heads of these baddies in their updated form. September will remind us that a great superhero story is made up of a great superhero and a great villain. Give the baddies the time to shine.
The 3D Covers for DC Comics Villain Month
During the interview, it was stated that this type of cover has never been done before. Really? I have seen 3D covers before and know that they can either be impressive or annoying. The specific format for creating these covers might be new, but I have 3D covers in my collection from the 1990s. As someone who will usually have a few adult beverages while reading comics in the evening, I am a little nervous that the motion might cause undesired impacts.
The Prices of Comics During September
You might not have noticed this but the cover price on all of the DC Comics Villain Month titles are $3.99. This is a good way to squeeze an extra few dollars out of people during the month. From a retail aspect, I think it is great. From a collector’s stance – I see it as an annoyance. Unless there is a huge push for these covers in the future, I don’t see the price automatically increasing in value over the sort or long term. Obviously, DC Comics wants to reign supreme in all of the possible industry ratings over at Diamond. Too bad that “Drawing the Line at $2.99” was talking about a squiggly line.
The Printing of the Title
When I first started hearing about the possibility of villains taking over the comics during September, I was a little nervous about how the titles would be printed. Take Justice League for example. Would Darkseid’s name be the only title appearing that month, or would DC Comics use another method? I am happy that they are imprinting the name of the villain over the traditional title. This will help retailers and help fans know for sure which comic is for which line. Thanks, DC! You got that part right!
Why So Scared DC Comics?
Notice that there was not an announcement about the titles of DC Comics Villain Month coming out later in some type of trade format. I understand why. It might discourage some collectors from buying as many of the comics as they can carry. Smart move from a corporate aspect, but not from a comic book community aspect. Rumors have circulated about all of the covers being in one book or an omnibus collecting all of the DC Comics Villain Month issues. I don’t see that option as feasible because if each comic was 26 pages long, we would have an omnibus with over 1350 pages. A series of trades might be the most likely.
The Idea of the Forever Evil Crossover Event
I HATE company-wide crossover events that go into dozens of different titles. I hated it when they did it for Secret Wars II, and I still hate it all of these years later. The Trinity War crossover is one thing since it comprises about five titles each month. I am fine with that. I don’t like when companies decide that you car payment should go to them for a few months straight. Some people like it, but it is a Marvelish formula which has turned me off even more in the last few years. I was hoping we would never see it at DC Comics, but my nightmare is now a reality.
The Redeeming Factor of the Forever Evil Crossover Event
The one redeeming factor of the Forever Evil crossover event is that the focus will be placed on the villains of the DC Comics Universe (according to the original interview). I have always been a sucker for villain crossover and issues which take the focus away from the superheroes and give it to the bad guys and gals. I might end up having to start saving money now.
DC Comics Forever Evil Crossover Event is Coming
Buzzfeed posted an interview with Dan DiDio and Jim Lee where the two minds at DC Comics discussed the upcoming Forever Evil crossover event. Some very interesting points were made which you need to know.
What is the Forever Evil Crossover Event?
The Forever Evil crossover event will be the first major crossover event of the New 52. DC Comics Villain Month will lead into the Forever Evil crossover event and the event will focus on many (if not most) of the major villains in the DC Comics Universe. Forever Evil will be a seven-issue miniseries. There will be three other major events taking place in other titles which will draw these other titles into direct connection with the Forever Evil crossover event.
Who Will Be in the Forever Evil Crossover Event?
While DC Comics has months to announce the players in the Forever Evil crossover event, Dan DiDio did confirm that Joker and Lex Luthor will be present in the series and that Hush will also be appearing later on the event. I would go on the assumption that many of the villains used in the DC Comics Villain Month would also play some role in the event. The two DC representatives stated that the focus of the series will be on the villains and that some might not make it out alive. At least one major character will be changed forever.
When
While the definitive date for the Forever Evil crossover event has not been officially announced, we do know that it will happen sometime after Villain Month which would put it (at earliest) in the October time frame. We also do not know if the miniseries Forever Evil will be monthly, biweekly, or weekly. My assumption would be that it would either be biweekly or monthly. Only time, and DC Comics will tell.
DC Comics Villain Month is Official
Dan DiDio and Jim Lee sat down with Buzzfeed and discussed the upcoming DC Comics Villain Month. They confirmed many of the rumors about the month and cleared up many of the points of speculation.
DC Comics Villain Month is a Reality
After months of rumors and speculation, it can be confirmed that the DC Comics Villain Month will be coming in September. I received confirmation about the event a few months ago from someone at DC Comics, but was asked not to discuss anything until the official announcement was made. Remember, I am against posting spoilers on this site, so I had to live and die by the sword I wield.
The Focus of DC Comics Villain Month
During September, DC Comics will focus on the motivations and psychological inspections of the villains we have come to know so well. The goal will not be to humanize them (according to the interview) but to give us a deeper understanding of them.
What Will Happen During the DC Comics Villain Month?
Each of the New 52 titles will be taken over by a villain and will be renamed as a #1 issue for that particular character for the month of September. In the lineage of the comic, though, this will be a .1 issue. Hence, Grood #1 will actually be Flash #23.1.
The Interesting Covers of DC Comics Villain Month
The covers of DC Comics Villain Month will all be 3D. Jim Lee explained during the interview that the covers will be two-layer 3D motion covers.
The Titles Announced for DC Comics Villain Month
The titles officially announced so far for DC Comics Villain Month include (regular title in parentheses):
Two Face #1 (Batman & Robin)
Desaad #1 (Earth 2)
Creeper #1 (Justice League Dark)
Darkseid #1 (Justice League)
Ventriloquist #1 (Batman The Dark Knight)
Relik #1 (Green Lantern)
Cyborg Superman #1 (Action Comics)
Bizzaro #1 (Superman)
Grood #1 (Flash)
Poison Ivy #1 (Batman Detective Comics)
DC Comics Villain Month is a Transition
According to the interview, DC Comics Villain Month will be set up by the final events of the Trinity War crossover series. The events of the DC Comics Villain Month will lead into the first major crossover of the New 52 and will be entitled Forever Evil.
The X-Men: Women’s Edition
When I was informed that Marvel was doing an all-female X-Men comic, I was pretty excited. This opens up some huge opportunity for women in comics. Both the editor and the assistant editor are women, so maybe we’re going to go somewhere with this. I should say before I start this critique that I wasn’t entirely disappointed; there are some great things happening in the first issue. Here are my main thoughts as of the first installment in the new series:
Positives of Female X-Men Team
1.) So far, no one in the comic has drawn obvious attention to the fact that these are all women. This is a plus, because that means it’s seen as normal, which is what we want to see. We want female superheroes to be normal, not surprising or a novel concept. No one has come forward to say, “OH LOOK, A BUNCH OF VAGINAS FIGHTING CRIME!” This is most definitely positive.
2.) These heroes don’t plunge headlong into things without thinking. Storm, especially, has great concern for the fact that they’re going to be dealing with civilians and wants to make sure they aren’t about to harm anyone by helping their friend.
3.) The origin story. Excuse me while I go academic nerd all over this origin story.
This IS the story of women’s history, laid out in one simple, beautiful paragraph spread over two pages in a comic book. If you’re at all familiar with gender studies, you know that we live in a patriarchal system wherein men are seen as the dominant sex and women are seen as submissive by nature. This obviously isn’t the way things naturally are, and for more information, please feel free to e-mail me or ask questions in comments, because I don’t have quite enough room to explore the theory here.
But what you have in this single opening is history. “Against nearly impossible odds,” both sexes have survived. Women make up 40% of the breadwinners in the United States according to a recent study, and the Internet exploded with backlash from a number of political and sociological groups stating that this is somehow a bad thing and will impact children negatively. What’s really funny about that is there’s no evidence to support that theory, because women have never been this prominent before in history. Chew on that for a moment: we don’t know the statistical outcome because we don’t have that data. At all. Ever. Anywhere.
“One was forced out, to evolve on her own, to find her own place…” If you have no knowledge of the Suffrage movement, both here in the US and overseas in the UK, you need to read up on it. Women were literally tortured because they wanted to vote. In the Middle East and parts of Africa, we’re still seeing this. Women can be killed for speaking out. It’s seen as not only a crime, but a mortal sin. There are religious mandates that keep women out of power in a number of institutions. Women have historically been forced out to evolve on their own. They’ve had to carve out their own place, and they’ve written their history in blood, sweat, and copious amounts of tears.
“The other, the victor, would come to inherit primordial Earth.” Do I really need to pick this one apart? To the victor go the spoils, and history has been written by and for white, upper-middle-class men with privilege, money, and power. This has very recently changed, and the change has been fought tooth and nail by those who have written history up until this point. It’s a war still being waged in our schools and on our streets, and we see it every day even if we don’t realize it.
“She never forgot. Coded into her DNA was a fourth imperative. Revenge.” That just gives me the shivers. Coded into her DNA. There’s a suggestion there that without equality, revenge is the natural state of things; that we, as human beings, seek to right what we see as wrongs and we’re willing to do whatever it takes to get there. I’d like to think that’s not entirely true, and that we can make change through peaceful means, but I have to remind myself that this is a comic book, not a theory or philosophy text. But let me tell you what, it’s kind of hard to remind myself of that when the prologue is just so on point.
Ambivalence of Female X-Men Team
1.) You have endless possibilities for storylines and you choose to toss a baby into the mix when all of the main characters are women. Really? That’s what you’re going for? The only reason this is ambivalent and not outright negative is because it’s Jubilee who finds and cares for the infant, which makes sense when she tells the others why she saved it and decided to care for it in the first place. The title of Woman is not synonymous with the title of Mother; that’s a social construct. And I guess I’m disappointed because of all the things I was expecting or hoping to see in this series, six female superheroes playing mommy was not one of them.
2.) The clothing. The only character wearing anything slightly unrealistic is Storm, whose cleavage is located quite epically front and center during a few panels in the comic. Everyone else is at least dressed for sensible crime fighting. I honestly don’t really care what they wear as civilians; you can dress however you want. But again. Please. Please. Anyone getting ready to go out and fight crime isn’t going to do so with any part of their body nearly falling out. Can you picture Wolverine in a costume where his scrotum is almost fully exposed? No? Then don’t put Storm in one where her breasts are almost toppling over the top of her outfit.
Negatives of a Female X-Men Team
I’ve actually got nothing to put here. Overall, I enjoyed the story and I can’t wait to see where it goes. I’m interested to see where they’re taking this arc. It’s not entirely what I was hoping to see, but I’m willing to keep reading and see what road the writers are taking me down.
Defining Masculinity: Captain America
Marvel’s current run of Captain America has caught my eye for a number of reasons. One is that I really like the character: a scrawny kid from Brooklyn whose scruples and loyalty follow him into adulthood and end up being the reason he’s chosen to become a super soldier. There’s something to say for that, that the ideal of male perfection isn’t about physicality, but personality, and that the physical can be manipulated, anyway; and more importantly, Steve Rogers learns his value before he becomes the piece of physical perfection that is Captain America.
What defines Steve’s masculinity is not his physical appearance, but rather the events of his childhood which shaped him. Namely, Steve spent his formative years in a household filled with domestic violence, and he learned how to “be a man” from his mother, who told him to “always stand up,” and not from his father, who spent a majority of his time inebriated and abusive. We get glimpses of Steve’s childhood throughout the comics and see a boy who never ran from a fight and always stood up for his friends, even when he knew the odds were completely against him. He steals money and medicine from a pharmacy in order to help his dying mother and, when his mother gently tells him never to let his circumstances change him into a bad man, admits his crime to the owner and works off the debt he’s accrued.
From what I understand of the mythos behind Captain America, the super soldier serum was supposed to enhance all of Steve’s traits, not just the physical and not just the good. The fact that Steve Rogers is essentially a buff version of a bullied kid after the serum is kind of amazing; he could now have literally any woman he wants, he could beat the daylights out of practically anyone, and he could really be a complete jerk if he wanted to with little ramifications.
But he doesn’t do that. That isn’t what we see. Instead, we see a man who is frustrated with the fact that evil continues to exist. He refuses to back down and does what is right. He always stands up, no matter the cost.
Is Steve Rogers supposed to be the comic book version of prince charming? Furthermore, could any man actually be Captain America, theoretically speaking? It would be very interesting to see a study done on women’s views of comic book heroes. Are more women drawn to Captain America or Wolverine? Do they go for the good guy or the bad guy (or at least morally ambiguous guy)? Do more women want to be like Kitty Pryde or Harley Quinn? And what do the answers to these questions tell us about the definition of masculinity in modern culture?
What’s more masculine: the good man who does good deeds, the morally ambiguous man who sometimes does what’s right and sometimes doesn’t, or the bad man who does mostly bad deeds with no concern for his fellow humanity?
What do you think?
Why No Comic Book Spoilers?
Why won’t WonderWorldComics.com publish comic book spoilers? This is a question I am asked on a regular basis by readers who believe we might be missing an opportunity in the comic book market. There are reasons why I refuse to publish comic book spoilers.
One of the Goals of WonderWorldComics.com
At WonderWorldComics.com, we want to make sure you enjoy reading and collecting your comics. Comic book spoilers take much of the wow factor out of reading. Comic book spoilers take out the element of surprise. If I were to publish spoilers, I would take some of the fun away. If you really want spoilers, there are hundreds of other sites out there which will give you all of the information you need.
What I will Do
Sometimes, a story will come along with such a surprise twist, I will decide to tell you about it. Instead of giving comic book spoilers, I will simply suggest you pick up the issue to see what is going on for yourself. From time to time, I will have to give you a little bit of the backstory as a setup, but try to make sure that I do not spoil the big reveal. If you ever think I am giving too much information, let me know.
For the New
If you stumbled across this article while looking for comic book spoilers, I would like you to check out the spoiler-free content on this site. I think it is a breath of fresh air for the industry.
Robert Kirkman Should Be Off the Walking Dead Comic
Many of you are probably going to blast me for saying this, but I do not think that Robert Kirkman should still be writing The Walking Dead comic. The last year and a half have been fairly bland and the comic needs fresh life blown into it.
Yawning at The Walking Dead Comic
I remember jumping on to The Walking Dead comic and reading it from the first issue on. Up until the around issue #90, I could not wait to see what Rick and the other survivors would do next. As the issues of The Walking Dead comic progressed through the 90s, I grew less and less satisfied. By issue #100, I had gotten to the point where I was ready to drop it off of my pulls. Instead, I held on for another six months and finally decided to walk away from what had been one of my favorite comics of all time. I have tried a few issues since and found that I just did not care anymore.
What is Wrong with The Walking Dead Comic?
Comics have what you might call a “story life.” This is similar to shelf life for food. Once the story life is over (typically once a story has been completely told), the comic becomes stale. That is where The Walking Dead comic is for me, and for many of the readers I have spoken to in the last few months who have decided to walk away as well.
Robert Kirkman Needs to Step Back
What I think is happening is that Robert Kirkman is spending so much time on the TV show, the comic has become an afterthought. The issues read as if they are written by someone simply going through the motions. Don’t get me wrong, issues #1-#90 tell one of the greatest stories ever in comics. The story should have ended there, but the comic continues to sell and the demand continues to be there.
Questioning the Demand
The Walking Dead is the top show on cable, but has troubles breaking the Top Ten for the Diamond Industry Statistics most months. A large majority of customers that I see who buy The Walking Dead comic, only buy The Walking Dead comic. Many have jumped on with the comic because of their fandom. I would not be going out on a limb by saying these people might not realize how the story has digressed and been elongated over the last twenty issues.
What the Story Needs
Either The Walking Dead needs to have an exit point (read: Final Issue), or Robert Kirkman needs to bring in another writer. He can still be listed on the front page, but most of the work should be given to someone who has the time for the project. There is something wrong when I read a particular issue and said “Oh, Glenn died” instead of “OMG! They just killed Glenn!”
The Wake #1 is My Pick of the Week! – Spoiler Free
My Pick of the Week returns this week with The Wake #1 which is written by Scott Snyder with art by Sean Murphy. I have a strong feeling this 10-issue series is going to be one we remember for a long time and talk about for years.
The Opening of The Wake #1
Snyder and Murphy decided to start out The Wake #1 with something which would not be considered as traditional. They started with a prologue 200 years in the future. This adds to the mystery surrounding the story and starts out like many Lovecraftian stories in structure. More on that later.
The Story in The Wake #1
Dr. Archer is a marine biologist specialized in whales. She used to be a government researcher and is approached by a ranking member of the Office of Homeland Security about doing some work for the government. She agrees and follows him to Alaska. There, she meets other people the government has recruited to investigate strange sounds possibly coming from whales in the area. There is an amazing epiphany in the last few pages of the issue which adds to the dread which is built in the previous pages. You know I would never ruin that for you.
The Lovecraftian Aspects of The Wake #1
First off (as you know from previews), The Wake incorporates creatures which dwell under the ocean. While some might say this is automatically a point to H.P. Lovecraft, they would partially be wrong. Granted, Cthulhu, Dagon, and many other gods are associated with water, any creature awakening from the deep is not a nod to Lovecraft.
Instead, a potential nod to Lovecraft comes in the formation and structure of the story. Many Lovecraftian stories begin in the future and recollect the past as a scientist describes how he became insane or an investigator talks about how his life crumbled months before. I could not say for sure if The Wake #1 is definitively a Lovecraftian tale because I would then have to assume the intentions of the creators. Instead, I would say that it is written in the Lovecraftian style.
The story builds an atmosphere of dread from the early pages to build up to each peak at the true evil at work. The last few pages of The Wake #1 just hint at the evil and the final, and true, reveal might not happen for months down the road. A Lovecraftian story builds fear from the very beginning and gives hints here and there that the great reveal will be something so mind-bending that the reader might have to go back and read parts of the story again to fully comprehend what just happened. The writing and the artwork in The Wake #1 both add to the dread and will being me back for the second installment.
Uncanny X-Men #6 is My Pick of the Week
While there are many comics coming out this week, Uncanny X-Men #6 is my Pick of the Week! Sorry that there was not a Pick of the Week last week, but as some of you know, I did not have any pulls last week. It was an odd week when nothing I was reading came out. As per the first Pick of the Week article, this will be free of spoilers.
What Initially Excited Me About Uncanny X-Men #6?
As a Doctor Strange fan, the revelation (from Uncanny X-Men #5) that Dormammu would be going after Magik was exciting. Uncanny X-Men #6 finds Cyclops’ team forgetting about the division in the X-Men and takes them away from crossover issues with the team we follow in All New X-Men. The team finds itself face-to-face with one of the most powerful otherworldly entities in the Marvel Universe.
A Little Bit of Information
There is a second story going on in Uncanny X-Men #6. Maria Hill is trying to figure out a way to get into the heads of the mutants. While talking with Agent Coulson, she decides to recruit a mutant to help S.H.I.E.L.D. understand mutants better by understanding the mutant mentality. On the final page of Uncanny X-Men #6, that recruit is revealed.
Not Going to Spoil it for You
I do not like giving spoilers on this site, and I am not going to start now. DC Comics hyped up (and then dropped) their “WTF Month,” but the final page in Uncanny X-Men #6 gave me the biggest WTF moment in months. The mutant S.H.I.E.L.D. recruits is so surprising, I have been trying to figure out why (s)he was picked to be an agent. I have been trying to wrap my head around how Marvel is going to play out using this particular character and what the motives would be to bring her/him back after not using her/him on a regular basis in…well, it might be a spoiler if I tell you how long.
Head out and pick up Uncanny X-Men #6 and see how the story plays out. See if you can wrap your head around the new recruit. You can thank me later.
Polybagging Age of Ultron #10 a Smart Move
I find it interesting how Marvel will be polybagging all issues of Age of Ultron #10. This is a rare step taken by comic book companies and is only saved for certain events. I think it is a smart move for Marvel to do it now.
First – A Word from Marvel
THE FINALE!
The biggest secret in comics will be revealed to you! An ending so confidential…even the artists of this book don’t know what lies on the final pages…! A surprise so big that comic book legend Joe Quesada himself returns to the pages of Marvel Comics to draw a sequence that people will be talking about for years.
*All covers of Age Of Ultron #10 will be polybagged
Product Update (4/4/2013): Has a regular cover by Brandon Peterson, not Peterson, Carlos Pacheco, & Joe Quesada, and has art by Bryan Hitch, Brandon Peterson, Carlos Pacheco, Alex Maleev, & Joe Quesada.
Save the Story in Age of Ultron #10
Of course, the most obvious reason for polybagging Age of Ultron #10 would be to prevent people from just sitting in a comic book store to check out the last few pages of the issue. It keeps the air of secrecy which Marvel has been building around the issue. It is a smart move as a marketing tool which continues along with the steps the publisher has taken so far to keep the story in Age of Ultron #10 a secret so far.
Reduce Those Pesky Damaged Issues
If you own a comic book store, one of the inevitable issues you will have to deal with is damaged issues. Even though the great people at Diamond do their best when packing copies of your favorite comics each week, some issues end up getting damaged. As contents shift of boxes fall during shipping, accidents happen. By polybagging Age of Ultron #10, Marvel reduces the number of damaged copies which would not have made it to the shelf for the initial sales day. This helps retailers and it helps the end reader since there will be more on the shelves during the first day of sales.
Will Marvel Move Extra Units?
Marvel will definitely move extra units of Age of Ultron #10 because many people are going to want to have a copy to read and one to save in case the market takes an upswing on the issue in the days following release. Of course, this is going to put extra emphasis on variant covers (such as the Angela cover which is sure to be hot hot hot). Marvel might see a good portion of the market share it lost in recent months (but is gaining back) come back quickly.
Taxing Violence in Media is Lazy Way Out
Vice President Joe Biden believes there is not a legal restriction to taxing violent media. His statement was made in response to statements by the Reverend Franklin Graham at a summit of religious and political leaders. This violence in media tax could stretch to video games, movies, TV shows, and to comics. This is something we should nip right now before it gets out of hand. We need to band together now to get the point across the politicians that our types of entertainment do not cause violence.
When the horrific violence happened in Newtown, many politicians and religious leaders were quick to point figures at who was responsible for the atrocities. In true political fashion, guns, violent video games. and other forms of violent media were pointed to. Instead of pointing to a person who had severe mental issues, society was blamed because politicians find it important to be politically correct when discussing evil. In their minds, there are not evil people in the world…just people who have been influenced by evil in inanimate objects or moving pictures.
Vice President Joe Biden believes there is not a legal restriction to taxing violent media, but we should work together now to make sure there becomes one. Taxes should be based on logic and believing that video games and movies would cause someone to shoot up a theater or a school is not logical. If that were true, this country would have devolved many years ago when the generation after mine grew up on games like Doom.
Yes, the portrayal of violence is getting stronger in video games, in movies, on TV, and in the pages of comic books…but that does not equate to why there is more violence in the world. There are more stresses now with the economy still being in the toilet, people still being out of work, and more threats of wars on foreign soil.
Blaming the violence in media is an easy way out. It gets constituents riled up and gives them a target to go after in witch-hunt formation. This is the same type of riling that went on in the 1950s when politicians blamed comic books for the increase in childhood rabblerousing and crime. Instead, they should have been looking at the psychology of teenagers growing up in a post-war society in which many of the fathers, uncles, and cousins had been killed overseas. Instead of studying the psychology of someone who snaps, politicians want to point to entertainment.
Vice President Joe Biden is a lost cause right now if he cannot come right out and say that taxing violent media is wrong. Instead, contact your representatives in Congress to let them know how you feel about the issue. Send word to the entertainment industry to point out how you will stand with the industry on this issue. We should not have to pay extra taxes because some clown in Washington wants a few extra votes from closed-minded people.
Cancelled Comic: A Success for Comic Book Industry
News is breaking that DC Comics is cancelling Legion of Super-Heroes, Threshold, Dial H for Hero, and Demon Knights in August. We knew about two of these cancellations and suspected the other two. The timing is coincidental since I was just asked by someone this morning if a cancelled comic equals a failure of the creators, a failure of the publication company, or of both. Instead of considering a cancelled comic as a failure, I think people should consider it as a success.
Cancelled Comic as a Success?
I guess I try to look at some aspects of the comic book industry with as much optimism as possible. A simple run through of the comics in Overstreet will point out that there have been thousands of comics which have been cancelled over the years. Sometimes these comics have run their course. Sometimes a cancelled comic has lost favor with the fans and they have moved on to something else. At other times, the comic has lost favor with the publisher and it decides it needs to move to greener pastures.
Success from Failures
Yes, comic book publishers do often make the same mistake twice…but they often learn from their mistakes. If a comic needs to be cancelled, a publisher will have made a long and hard decision to end the run. Publishers take many factors into consideration before a cancelled comic is declared. These factors create the lessons which will guide creators and planners in the future.
It’s Better to Recognize
As fans of comic books and the comic book industry, we should all be happy when we hear about a cancelled comic. Sure, we might be upset because a title we liked hit the garbage, but would you rather a publisher spread itself thin with titles people are not buying or focus on the ones people are reading? Would you rather they try to focus on a comic which has failed or on a title which just needs that extra nudge to become great? Would you rather a publisher be held down by its uncertainty or allowed to soar because of the hard decisions it made in the past?
Batman and Red Hood #20 is My Pick of the Week – Spoiler Free!
Batman and Red Hood #20 comes out today and I highly suggest picking it up even if you are not a fan of the Dark Knight. There are aspects of this issue which reflect the darkest Batman stories ever and it is sure to become a classic issue we talk about for many years to come. While I do not want to ruin the story for you, I do want to say that as a father, I can relate more to the Death of Damian storyline than any other Batman story I have ever read and Batman and Red Hood #20 is an integral part of the story we are experiencing right now.
Disclaimer About This Posting on Batman and Red Hood #20
This is not a spoiler article. The points I am going to write about from the issue will be general (with the exception of one sentence). To this point, I have been able to avoid using this site to spoil stories for readers and I do not want to start running spoilers on current issues now. If you want to read everything that happens in Batman and Red Hood #20, I am sure there are at least a dozen sites running the complete story this morning.
What You Should Know About Batman and Red Hood #20
Essentially, what you need to know about Batman and Red Hood #20 could already be assumed from the title and from what has already been assumed about the progression of the story. Yes, Carrie Kelley is in the issue but that is not important to the overall story. Red Hood, though, is crucial.
Relating to Batman and Red Hood #20
I have been a Batman fan my entire life and have read hundreds (if not thousands) of his stories over the years. I have never been able to relate deeply to Batman or Bruce Wayne until now. As a father, my worst fears would revolve around something happening to my daughter. In Batman and Red Hood #20, our favorite caped crusader goes to more of an extreme than he has so far to displace his anger at the loss of Damian and goes to a darker extreme than he did when he consulted Frankenstein about bringing Damian back from the dead.
The Most Important Line in Batman and Red Hood #20
“Because I am seeing red” is a key line in the issue and a key line in Batman’s rage about what happened to his son. Batman is not able to deal with the death and is filled with a level of anger few writers will ever experience writing about. Without telling where the line is used in the issue, we have to wonder if Batman is seeing red because of the death of his son or because he was not able to save him.
One More Step in Batman and Red Robin #20
As I stated before, I know my greatest fear is something happening to my daughter. In this issue, Batman continues to lash out at those he cares about. I am sure (though I hate to admit it) I would end up lashing out if I lost a child and have to commend Peter Tomasi for including this common step in the healing process which is often forgotten.
There are workers in our Detroit area comic book store which have picks of the week. Even though Constantine, Batman, and Suicide Squad came out this week, I would have to name Batman and Red Hood #20 as my Pick of the Week. I highly suggested picking it up and seeing (if you are a parent) how you relate differently to Batman and Bruce Wayne after reading it.
Interview with John Layman About Detective Comics and Processes
While I was covering C2E2, I had the opportunity to sit down with John Layman and talk about various aspects of his career and the titles he writes for.
Larry Poupard: You write for both DC Comics [Detective Comics] and Image[Chew]. What unique challenges and conflicts do you face in creating product for two companies which creators who only write for one company do not face?
John Layman: Well, at Image, you don’t have an editor. You are writing on a tightrope without a net. Whereas with Batman, you are not only writing for an editor and a wider audience, but Batman has five other books in the whole interconnected universe. You have to worry about tying in other events and crossovers because there might be something big happening in Scott Snyder’s book or in someone else’s. With one book, I am playing God while I am playing a ship’s captain in the other in which I have to guide the ship and avoid the icebergs.
Larry Poupard: You mentioned the continuity with Batman over multiple titles. Do you find yourself communicating more with other writers about what is being done or with the main offices of DC Comics?
John Layman: Both. I try to keep myself as open as possible with other writers. Everyone knows my aim and anyone can do a drive by or call me to ask me any kind of questions. The writers are very good about coordinating that. I used to be an editor so I am very aware of how to roll with the punches. You gotta be willing to make things mesh.
There is a thing I like to do myself. In the current thing I am writing right now I’ve got this jump cut of Batman doing various fights. I might say to someone that I don’t know what to have drawn in this particular frame. I don’t want Batman just fighting a bad guy so tell me who he should be fighting [to go along with] who he is fighting in another book. When people read that they will say something like “Oh that is what is going on in Batman & Robin #21,” or whatever. This helps with the overall system of continuity.
Larry Poupard: In Detective Comics, you introduced Man-Bat while tackling the 900 story. Is there a difference between introducing a previously developed character in the New 52 than there is with introducing a new character which has never seen print before?
John Layman: The thing is that these characters all work and everyone knows them. In some ways, you are revisiting familiar ground but it is also an opportunity to wipe away the statements people might ask about “Do you have to read 70 years of Batman?” No, because that is the glory of the New 52.
It is cool if you already know Man-Bat because you have the opportunity to see this classic story again. You can watch as we revisit something old and reinvent it at the same time. In some ways it is a cheat because some of the work has been done for you. The most liberating part, though, is not having to worry about what happened in 1974 or in Detective Comics #681. I am a bit of a lazy person so it is really good.
I always site someone like Mark Waid who is just a living encyclopedia and has all these trivia questions and knows everything. I don’t. Even if I read something, I don’t necessarily retain it. So the fact that I don’t have to adhere to all of this archaic continuity is a good thing for me.
Larry Poupard: Each Batman supervillain is unique and creates interesting types of challenges for Batman. Which member of the Rogue’s Gallery which you have not worked with is at the top of your list to work with in the future because he or she would fit in best with your story and which fit would be the most difficult?
John Layman: Two-Face, yes. I am kind of glad that Joke is kinda off the books for right now. Joke is too dark at this point for my story. When Joker comes in, he does horrible things and sends out his “psychic reverberations. I was glad I got to touch on that, but he is the one I want to work with the least. Since Scott Snyder just did this history Joker story [Death of the Family], I don’t really have to for a while.
Two-Face is the one I have been dying to use for long time now. I keep trying to. I keep trying to squeeze him in, but then I say “No, it is not time now.” I am going to get Two-Face before the end of my run.
There are many different aspects which make [Two-Face] interesting. There is the “law” aspect and the split personality aspect which Batman has too, just in a less obvious way than Two-Face. He is someone I am going to use before the end. I just don’t know when the end will come.
Interview with Chris Burnham on Death of Damian at C2E2
While covering C2E2, I had the opportunity to sit down with Chris Burnham and discuss his artwork on Batman Incorporated and the death of Damian Wayne. I was expecting insight into the story, but also received insight into being a creator of a major comic and the struggles they often face in today’s market.
Larry Poupard: Shortly before the death of Damian hit reader’s hands, Dan Slott began receiving death threats for “killing” Peter Parker in The Amazing Spider-Man. In the days leading up to the release of Batman Incorporated #8, did dread of repercussions from fans go through your mind?
Chris Burnham: (Laughs) Ya, I think I was a little disappointed that no one wanted to kill me! I guess they were threatening Slott, but it was Ryan Stegman drawing the book. It was all targeted towards Dan Slott who is very vocal and is always out there getting into Internet fights with people so I think he brings those stories and that kind of stuff on himself. Nobody is going to threaten Grant Morrison because he is not going to read it. I don’t even think he owns a computer. I think that if you don’t engage people in that way you can kill the fire before it even starts.
Larry Poupard: With the increase in passion among comic book readers in the last few years, do you believe some fans have difficulties separating creators from the stories they create?
Chris Burnham: Yes. You know, I can understand that. There is a strange disconnect even with me as I have my fanboy side and my professional side. I know all of what is going on and sometimes I just have to tell people to leave us alone because we are doing our best.
People have all kinds of weird continuity issues and I think it is all a miracle that it [the work] finally gets done. You have 52 books which means there are about 200 people all working on them at the same time and it is a miracle that we are able to get Bruce Wayne’s hair black.
As a professional working behind the scenes, I understand what is going on when I read a Marvel book and it does not jive with my fanboy side and it turns that side of me off. I want to yell “What the Hell is wrong with you people? Why can’t you get it right?” Then it clicks and I remember that perfection in this job is basically impossible.
Larry Poupard: Since Damian was killed, the Internet has been filled with rumors about what is going to happen and many readers believe they know what is going to happen next. Do these preconceptions and rumors place creators at a unique disadvantage and apply a different type of pressure than should usually be faced?
Chris Burnham: That is a really interesting question as I am definitely stupid enough to go on the forums and look at where people think the story is going and asking “What does it all mean.” Sometimes I read some of the theories and think “Oh, man. I don’t think we are that smart.”
I really try hard to make sure that kind of stuff [theories and rumors] does not get into my head. I am sure it does get in a little bit. We have tried to have our story planned out for a few years now and are not going to take a hard left turn because some guy on the Internet figured out the ending.
If you get enough people screaming on the Internet, one of them is going to be right. Other people will say “Oh that is the stupidest idea I ever heard” and “Oh that will never happen” and I find myself chuckling and saying “He got it.” We just need to put our heads down and stick to the plan.
Larry Poupard: The death of Damian will probably follow you throughout your career. Can you think of a positive and negative to the notoriety you will forever receive for your work on Batman Incorporated #8?
Chris Burnham: Well, people know who I am now, and that is pretty neat. The convention this weekend has been my busiest ever and I have signed about a billion comic books this weekend. The vitriol behind the death has died down at this point. I think things would have been different if I had a convention experience a few months ago when the book came out. It would have been a nightmare for me and it would have been a rough one as I got all sorts of advice from angry guys.
Since it is a couple months past, people can respect it now as a dramatic story and not a shocking and offensive event. I think it is going to go down as a classic Batman story and not a horrible and traumatic experience.
Free Comic Book Day: Most Important Comic of the Day
What is the most important comic being given away on Free Comic Book Day?
The Publisher’s Answers
I am sure if you were to ask someone at Marvel about the most important comic being given away on Free Comic Book Day, he or she would answer “Infinity” since it is the official launch of one of the biggest crossovers in years. DC Comics would push Superman Special Edition. Image would remind you about The Walking Dead Special coming out while IDW would probably talk about TMNT New Animated Advenures. Essentially, each publisher would talk about whatever book their team is giving away. They would all be partially right and partially wrong.
A Fan’s Choice on Free Comic Book Day
A child might believe the most important comic on Free Comic Book Day would have to be Spongebob Comics Freestyle Funnies while a seasoned collector might also point to Infinity. A Star Wars fan would look at the Dark Horse offering as being the most important to her. Again, they would all be partially right and partially wrong.
What is the Most Important Comic of Free Comic Book Day?
The most important comic book of Free Comic Book Day is the one which opens your eyes to something new. You might be a DC Comics fan who gives Infinity a try and decides to give Marvel another chance. You might be a devout Marvelite who decides to try the DC Nation Super Sampler. You might decide to try something from one of the smaller presses and realize it is a perfect fit for you.
If you are new to comic books, or have not read one in years, any comic book you pick up on Free Comic Book Day is the most important. Any comics you read with help you realize why there are so many people who love comics and find them to be the best entertainment medium on the market. When you are leaving the comic book store on Saturday (hopefully our Detroit area comic book store), look down in your bag. Whatever is inside is the most important to you.
To learn more about Free Comic Book Day, please follow this link.
Pairing the Right Superhero and Supervillain is Harder Than You Think
Matching the right supervillain with the right superhero in a comic is an important task which is often overlooked or taken for granted by comic book readers. A strong pairing between a supervillain and a superhero can increase the importance of both characters and make for memorable battles which can have us talking for decades.
Supervillains as a Display of Power
Sometimes, supervillains have to be made to appear miniscule against a superhero to nightlight the superhero’s strength. From time to time, a comic book publisher might want to show how powerful a superhero is by having him or her face a supervillain which has given less powerful superheroes a run for their money. Images from the late 1970s come to mind when Doctor Strange had a fight with Porcupine which only lasted a few frames. While the quilled-villain was a tough battle for some superheroes, he could not hold his own against the Sorcerer Supreme for more than a moment.
Supervillains as an Equal Threat
Joker has proven over the years that he is a perfect match for Batman and Magneto has always made for interesting battles with The X-Men. Typically, supervillains are paired with superheroes which are only a notch above their level. Only the aspects of good make Spider-Man greater than Vulture or Lizard. This type of paring makes a villain a character to be feared by comic book readers. It is this type of pairing which help sell comics and keep us coming back for more each month.
Pairings to Teach a Lesson
Sometimes, we have pairings which are meant to teach us a lesson. These should be rare, but happened quite often over at the House of Ideas. At one point, Marvel thought it would be good to encourage kids to be everything they could be and teach a lesson about how kids can do anything they put their minds to. The negative part of this lesson was how Power Pack defeated characters such as Dr. Doom and Galactus. Really?
Pairing to Show Ethics
In all honesty, Superman should have done away with Lex Luthor decades ago. With one punch, the Man of Steel could send ol’ Lexy into orbit. The pairing of a human with a superpowered alien proves Kal-El’s humanity. Instead of crushing the thorn in his side, he respects the life of even the most evil human.
The next time you pick up a comic, think about the pairing of the supervillains and superheroes. You might be surprised by how you have overlooked the importance of these parings for so many years.
Disenchantment with Once Upon a Time Graphic Novel
Marvel will be releasing a graphic novel tie-in with ABC’s Once Upon a Time in September. This graphic novel will follow in the footsteps of the Castle graphic novels and comic books. I cannot say that I was excited about this announcement at C2E2 but find it is worth mentioning on this site as to why I was not excited.
The Skinny on Once Upon a Time Graphic Novel
The Once Upon a Time graphic novel has been plotted by series writer and co-producer Dan Thomsen. It is co-written by Corinna Bechko (Planet of the Apes). Art by Michael Kaluta will feature the Evil Queen, The Huntsman, and Red Riding Hood. It is scheduled for release in September of this year.
My Disappointment with Castle Graphic Novels and Comics
I don’t really care what type of heat you will give me for saying this, but I am a big fan of Castle on TV. In the past, I wrote weekly articles for a major website about the show and I make sure I am home every Monday to watch the show with my wife. When the announcement was originally made about a graphic novel being based on the characters the imaginary Richard Castle wrote about, I was excited…until I read the graphic novel.
There was nothing inherently wrong with the original Castle graphic novel in terms of artwork or writing. The same is true for the offerings under the banner since then. As a fan of the show, I was disappointed with the line because it did not have the comedic timing of the show and could not offer the tension of realizing there was ten minutes left in the show and the characters still needed to figure out the case. Timing is one of the great aspects of the TV show and it cannot translate well into the graphic novels, comics, or even the written novels. Since I am passionate about the show, I find myself wanting to hold the bar high for the printed works and believe extra steps needed to have been taken to transform the printed versions of Castle to equate with the show. Those steps were not taken
Once Upon a Time: Because They Have To?
Another aspect which set me off from the Castle comic series, and is setting me off from the Once Upon a Time graphic novel is that idea of Marvel creating a product because it has to for business reasons. ABC and Marvel are both owned by Disney. With Marvel bringing S.H.I.E.L.D. to the network, is feels like ABC is forcing the publishing company to go tit-for-tat and release TV shows in print form. While it happens on a regular basis, a publishing company should not be forced to give the perception of publishing something it has to for someone else (unless it is for the fans). If so, the fans can become distanced and will look for another publishing which will publish for the fans and not for corporate deals.
IDW Publishing Hitting Home Runs With New Cartoon Network Offerings
One of the most intriguing announcements during C2E2 was the announcement by IDW Publishing of the expansion of their Cartoon Network agreement to include comics from Powerpuff Girls, Ben 10, and Samurai Jack. The company is dedicated to expanding its selection for children and these three comics are poised to take the company to the next level in sales.
IDW Publishing Adding to My Little Pony Success
As of this writing, the March sales rankings are the latest released by Diamond. During March, My Little Pony was represented three times in the Top 100 listing with My Little Pony Mircro Series #2 Rainbow Dash (at #91), My Little Pony: Friendship is Magic #5 (at #65), and My Little Pony: Friendship is Magic #4 (at #55). Just think about the number of spots IDW Publishing can take over in the Diamond Top 100 with three more children’s titles which all have adult cult followings.
When?
Powerpuff Girls is scheduled to start hitting stores in September while Samurai Jack is scheduled for October and Ben 10 is scheduled for November. I would expect the marketing minds at IDW Publishing to work overtime in the months leading up to these releases.
Why is This Different?
Marvel, DC Comics, Image, and many of the smaller companies are all testing the waters of the growing children’s market. IDW Publishing is chuckling at them while jumping in the pool with three big titles. “Babies” titles like those from the Big 2 are going to be inviting to children of comic book fans as the young become more interested in the characters their parents love in baby or adolescent form. This does not do anything, though, to bring readership from outside of the comic book market circle.
IDW Publishing hit a home run with My Little Pony: Friendship is Magic because it invited in the fans of the property along with the children of comic book readers. A circle was grown to include people who had never been in comic book stores. The same will be done with the Powerpuff Girls, Samurai Jack, and Ben 10. I fully expect these titles to being as many new adult comic book readers as new young comic book readers. I also fully expect the other comic book publishing companies will get nervous when they lose they are losing market share to IDW Publishing.
To learn more about IDW Publishing, please follow this link.
Would Thor vs. Sandman Be Worst Superhero/Supervillain Pairing Ever?
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Happy Anniversary Superman – I Still Hate You
Today is the anniversary of Action Comics #1, and I find myself writing an article about the 75th Anniversary of Superman. It is ironic how I watched the trailer for “Man of Steel” last night. After watching the trailer, I was upset by the fact I enjoyed it and infuriated by the urge which grew inside of me to see the movie.
Superman and Me
I am not a fan of Superman. In fact, I don’t like the characterization of Kal-El at all. Yes, I liked the first two Superman movies from when I was young and I liked the 1990s animated series, but this was where my fandom ended until I saw the “Man of Steel” trailer.
Superman is Too Powerful
In Superman, you have a nearly-unstoppable force for good. He can fly, run faster than almost anyone, has super strength, is impervious to bullets, does not need to breath, has laser and x-ray vision, and can blow freezing cold air from his mouth. There are probably at least half of a dozen powers I did not list, but I gave up counting his superpowers a long time ago. Anyways, I always felt the character had too many powers.
Superman and His Struggles
For many years, DC Comics refused to give Superman a decent struggle in life other than the loss of his race. Throughout almost everything I have read on the character, I have found him to be two-dimensional at best and a character which is as near perfect in his psyche as he is in physical form. This was always bland for me since I was drawn to the character who dealt with their own personal demons such as those created by Marvel or Batman once he went through his emotional makeover in the late-1970s and early 1980s.
The “Man of Steel” Trailer
I tried to stay away from the “Man of Steel” trailer as I knew inside it would simply be another two-dimensional telling of the same story I had heard hundreds of times before. I was wrong. In the short run of the trailer, I found myself drawn into a story in which Superman is struggling with what he is and with the acceptance of those around him. This is a basic portion of what should have been his storyline which has been missing for far too long.
The Result?
Will I see “Man of Steel” when it comes out in the theaters? Yes. Will I become a fan of Superman? Probably not. I might become a fan of the new movie version, but we have to wait to know for sure.
DC Comics September Villains #1s Offer Interesting Challenges
At this point, it is not a secret that DC Comics September Villains #1s are on their way. If the rumors are to be believed, we should expect the villains to take over September each year. While I love the idea of the program, there are two issues DC Comics is going to have to deal with.
DC Comics September Villains #1s?
A rumor has circulated for months about DC’s autumn swerve will bring September Villains #1 which will tell the story from the villain’s perspectives. This takeover will be line-wide and each of the New 52 titles will be taken over by a villain for one issue. We should assume that traditional numbering will continue after the DC Comics September Villains #1s.
The First Problem
By making a villain the headliner of one of the titles in the DC Comics September Villains #1, DC is essentially declaring a character as the main villain against the traditional headlining character or team. This will be one of those “you will never make everyone happy” kind of moves. If The Question headlines the DC Comics September Villains #1 issue for Phantom Stranger, some fans will argue about the demons of Hell being the Phantom Stranger’s greatest rivals or about how Pandora is often known as the character’s thorn. Superman’s traditional main rival is Lex Luthor. Should DC automatically give fans the expected rival, or highlight someone else who is being pushed at the time? It is really a no-win situation.
The Second Problem
The second problem with the DC Comics September Villains #1 issue series comes next year. Since we had the baddies take over this year, should we expect them this year? If so, if we see a Joker #1 this year, should we automatically expect to see Joker #2 next year? Should we expect to see another villain take over Batman and see (perhaps) Riddler #1 in 2014? DC will need to figure out a plan to keep some type of continuity with the swerve from year-to-year. The plan is to make the villain issue an annual event, but the Big 2 have been known for changing course mid-stream.
The Batman Exception
As a little aside, Batman’s greatest enemy is himself. Nobody can do as much damage to the Big Black Bat as the Big Black Bat. If Joker (the main villain of Bat’s stories) took over during the DC Comics September Villains #1, wouldn’t DC Comics miss their own symbolism?
If DC can pull this off, it could leave Marvel treading water for a month. This is the type of ingenuity could give a surge to the second-in-line company and help it gain some of the market share it has been losing recently. Of course, September is a long way off and anything can happen between NOW and then.
What if Damian Wayne Stays Dead Forever?
What if Damian Wayne stays dead forever? What if all of the Bat King’s horses and all of the Bat King’s men cannot bring life to Damian Wayne again? Have many of us actually consider the possibility that Bruce Wayne’s son will never put on the Robin suit again? Chances are good that the answer is “few.”
We All Know
Right now, we all know that Damian will come back somehow. The most common statement I have heard is that he will be thrown into the Lazarus Pits and come back to life. In Batman and Red Robin #19, we saw Batman try to have his son resurrected through Frankenstein’s power and technology. I have thought about the Trinity of Sin somehow bringing Damian Wayne back to life in the Trinity War crossover coming very soon. But what if he stays dead?
The Greatest Swerve in Decades
Simply put, the true death of Damian Wayne would be the greatest comic book swerve in decades. Technically, the death of a character is not the swerve. The swerve would come in the form of a character staying dead in the comics. It would be more of a slurve (baseball fans will get this reference) than a swerve, and it would be awesome. While I would not applaud the actual death of a character I have grown to care about, I would have to applaud the idea of taking the obvious away and countering what everyone believed would happen.
The Trends
I am sure you have picked up on the trend recently of Bat Family titles giving one major unexpected swerve after another. We all thought Alfred was going to die in “Death of the Family,” but we found we were wrong. We all thought Damian Wayne would be back within an issue or two, but have been proven wrong. We all thought the world would be talking about the proposal a month back in Batwoman, but we were wrong. Er…wait…that last one was not DC’s fault. You get the picture, though. DC is leading us on to expecting something and then crushing our preconceived notions with an unexpected swerve. Good job, DC. You are getting it right.
Importance of the Official Handbook of the Marvel Universe
If you are a comic book reader or comic book collector, you should not pass up the opportunity to pick up one of the Official Handbook of the Marvel Universe issues. Typically, you can find these in dollar boxes or you can purchase them in trade form (look here). These issues (or trades) can give you a greater understanding of the characters you have grown to care deeply about.
What Was the Official Handbook of the Marvel Universe?
Original published in 1983, the Official Handbook of the Marvel Universe was a series of issues which explored characters in encyclopedic form. A picture or pictures would be given along with the origin, history, and basic information of each character. Marvel introduced a Deluxe Edition to the series a few years later with more information, an Update ’89 a few years later which told about the changes since the Deluxe Edition, and a few other editions over the next 15 (or so) years. DC Comics introduced the Who’s Who? books, but they were not as detailed as what Marvel introduced and did not give the amount of detail to low-level characters which the competitor did.
Know the History
Most of the characters which are making an impact in the Marvel Universe today were around in the 1980s when the Official Handbook of the Marvel Universe was originally introduced. Do you know all of their origins? Do you know who their early enemies were? You will learn the answers to these questions within the printed pages of these issues.
How They Have Changed
I love to see how characters have changed over the years. In the Official Handbook of the Marvel Universe, you can see how outfits have changed dramatically in the last few decades. In some cases, such as with Doctor Strange, you will find that the costumes sometimes barely change at all. In many cases, characters will have gained or lost powers.
Who is That?
There are characters which made impacts in the 1970s and 1980s which have barely been heard from since. Are you familiar with the Serpent Society? How about Angar the Screamer? Do you know how the Interloper fit into the Marvel Universe? You will be exposed to dozens, if not hundreds, of characters you never knew about before.
Who is Coming Next Month?
Marvel likes to go through their archives and bring characters out which have not been seen for years to mix things up. Note how Thanos, the Guardians of the Galaxy, and Ultron have all been dusted off recently. If you have a copy of the Official Handbook of the Marvel Universe, you can know something about the character before many of your friends do. In many cases, the write-up in these issues are larger than those on Wikipedia or even on Marvel’s own wikia.
If you are at a comic book convention, check out the dollar boxes for these issues. You will be glad you did. The Official Handbook of the Marvel Universe will open up doors in the Marvel Universe which you never knew existed.
Current Comic Book Teams with Common Problems
Comic book teams pose challenges which need to be overcome by writers for a successful run. There are issues which are unique to writing comic book teams which are rarely found in comics featuring one superhero or a superhero duo. To gain a better understanding, let’s relate the challenges for comic book teams to current titles on the market today.
Comic Book Teams with a Team Savior
While it is good to bring favored characters onto comic book teams, the team should not rely solely on one or two characters. If the “Team Savior” falters in popularity, the entire comic can be held back or (in a worst case scenario) become unimportant.
Take a look at Suicide Squad for this example. The title continues to hold onto a spot in the Top 100 via Diamond, but that spot is low on the list. As of the March 2013 numbers, the title was hanging on at the #94 mark. Fans were originally excited to hear about Deadshot making the team, but he could not hold the comic on his own. Currently, this is one of the comic book teams being held together by one character in Harley Quinn. If she loses popularity, or is taken off the title again, I see the Suicide Squad exiting the Top 100 for good.
Comic Book Teams and Problems Introducing New Characters
New characters are introduced to comic book teams all the time and creators often have a tough job developing the character fast enough without taking away from the main characters on the title. Take a look at Goldball in Uncanny X-Men. He has an interesting power in which he can shoot gold balls of various sizes out of his body. If he is not developed quickly, he will be forgotten. Of course, it is even more difficult to introduce new characters when a major storyline such as the X-Men schism is going on.
Too Many Storylines
Batman Inc. is currently on the chopping black and the title has faced major hurdles over the last few months. Batman Inc. suffered from what I call “Avengers Syndrome.” You have a team made up of characters who have the own titles and you have to try to carry over the storylines from various publications while allowing for a storyline in the comic book team title. The result is a comic which has to neglect certain storylines in the character’s lives while picking and choosing on others.
Comic Book Teams with a Revolving Door
The Fearless Defenders worries me since it shares the Defenders title with the team which became known for having a revolving door policy. Every arc, and often every issue, had new team members. Fans were not given enough time to become used to particular chemistries in the book and the team which began as one of the most powerful ever in comics (Doctor Strange, Namor, and Hulk) ended in a hacked failure. Will Fearless Defenders live up to or in spite of the Defenders curse?
Comic Book Teams as a Solo Career Killer
What is going on with Gambit right now? The sales on the title continue to slide. Note, this is not the character’s first solo title and that all of the others have (you can argue this) failed miserably. There are characters that have been developed as team players over the years and are not able to break off on their own. Of course, the opposite of this would be found in Hawkeye, but that can all depend on the writer and the creative storylines given to the character.
Comic book teams are fun to follow as long as they are written correctly. If creators can get over these hurdles, they can create a memorable team which will last and that people will talk about for many years.
Mandarin in Iron Man 3: Differences in Comics with Tony Stark
Many comic book fans are awaiting the onscreen introduction of Mandarin in “Iron Man 3.” Mandarin is an interesting character in the comics as he is an opposite to Tony Stark and Iron Man. These differences are astounding when they are explored.
Mandarin and Technology
Yes, Mandarin is a master of technology like Tony Stark, but Mandarin’s greatest power comes from rings he repurposed from alien technology. Instead of working harder, as Stark attempts to do, Mandarin attempts to work smarter. He supersedes work ethic with opportunity.
Fighting Chances?
Mandarin is a master martial artist and that makes him a natural fighter. Iron Man is a businessman in a special suit. The would-be-world-leader surrounds himself with people (terrorists and cronies) to fight his initial battles for him while Tony Start often surrounds himself with people who will help him with his battles.
Fears Embodied
One of Stan Lee’s goals with the creation to Iron Man and Tony Stark was to take the fears about the rich not wanting to help out the little guy and turn them. In Mandarin, we see the fears of Communist China embodied. The character wishes to take over the world, is a major technocrat, and commands a watchful army which will do anything for him.
Exposition of Magic
Mandarin’s rings are often explained as magical and he has used them in mystical battles with such characters as Doctor Strange. Tony Stark is someone who has shied away from from magic for many years and has had issues embracing the idea of a mystical realm. The villain used to use his statements about his rings being mystical to strike fear in the hearts of others.
It will be interesting to see how the movie creators at Marvel use the ideas of Mandarin being a polar opposite of Tony Stark and Iron Man in “Iron Man 3.” Hopefully, they do the character justice.